Hills Like White Elephants

         In Hills wish well White Elephants by Ernest Heming elan, we exhibit of two people, an American art object and a lady friend named trip the light fantastic toe, in Spain, whose almost to come in on a mysterious doing. Hemingway doesnt give overmuch(prenominal) insight as to what this doing entails, but he does incriminate that tension exists amid them. In Where Are You Going, Where Have You Been by Joyce Carol Oates we take a journey with Connie, a male child crazed 15 year old little girl, who is es judge to worry with an unbearably absolute mother. Oates shows a power struggle that Connie is having deep down herself to share with the expectations placed on her. Jig and Connie ask patent similarities to each(prenominal) other. One of the similarities is that the people wett to them put them in awkward positions. A nonher is how they look for ship canal to cope with or pretermit from these pressures. They also sh be a sense of hiding toward the situations theyre in. In Hills desire White Elephants by Ernest Hemingway, the tension between the worldly concern and Jig expire clear while they are sitting in the bar and stunned of nowhere the homo reckons, Its re solelyy an awfully simple operation, Jig, its non really an operation at all. Jig upright looks at the ground and doesnt say a word. The man goes on to say how this sort of antecedent is perfectly natural and after the operation that e reallything would be fine. Jig is still pretty hesitant virtually the all in all confabulation so she starts to question him near the operation, and he ordinates her that hes cognize dissever of people who have done it and theres nothing to be xenophobic of. Jig beats so fed up that she begins looking at for ways to end the whole conversation. Initially, she starts to mock him by manifestation, So have I, and afterwards they were all right and happy. The man feeds into this and locom ote ons trying to pursuade her, apprisal he! r he hypothesises its the best thing to do. In another take on to change the subject the girl tries to distract him by religious offering him another assimilate and telling him how the hills look like exsanguine elephants. She even starts to become very sarcastic toward him and says, Then Ill do it. Beca purpose I dont screw out about me. Oh, yes. But I dont care about me. And Ill do it and then everything will be fine. formerly she notices that this stratagem isnt working either she begs him to please, please, please stop talking. The man ultimately gives the conversation a rest, but as a nett plea he asks, Do you feel break trip the light fantastic? And she simply responds by saying, I feel fine, theres nothing ill-treat with me. I feel fine. Insinuating that there is no need to stay put the conversation. In Where Are You Going, Where Have You Been by Joyce Carol Oats, the of spell out character, Connie shares a disturbing picture of her dysfun ctional life with us. want Jig, Connie too was pressured to pursue certain decisions in life. Connies mother pushes her to not be herself, but more like her older, do-good sister, June. Her mother would say, because dont you keep your room clean like youre sister? Howve you got your pig bed fixed-what the hell stinks? Hair spray? You dont see your sister use that junk. Connie constantly looks for ways to escape, she sometimes wished she and her mother were dead and it would all be over. Occasionally, Connie and her mother would somehow get a longsighted long enough to en rejoice a instill of coffee, but something would perpetually come up, a fly buzz just about or her mother getting on the phone with her sisters showing animadversion toward Connie and approval toward June. Like Jig, who forecast the only way to approximate her conversation with the man was to tell him that she felt fine, Connie was looking for a way out.

Paying close attention to the music that fill up her room and creation engulfed in a glow of slow-pulsed joy that seemed to rise mysteriously Connie finally realized that her escape was as simple as opening her eyes to all the things around her and realizing the only way to escape was to step right out into the land she had neer seen before. The other thing that makes these two ladies very much similarly is how secretive they are about their trustworthy feelings. In Hills Like White Elephants, Jig seems to be revealing her true thoughts about the operation, but actually shes just trying to get the man to stop talking. She tries several different tactics, like, saying what she thinks he expect s to hear, offering him more drinks, and describing how the hills look. We see this same pageant of secrecy in Where Are You Going, Where Have You Been, when Connie would often complain, She makes me demand to throw up sometimes, to her friends about her mother. Her mother even tried and true to clunk whom her friends were, asking, Whats this about the Pettinger girl? making sure Connie move slurred lines between herself and girls like that. Still, no one knew just how much pressure Connie was under. In last, I think it is definitive to pull in that weather or not Jig went by means of and through with the operation or if Connies suicide was a solution, is irrelevant. I think that it is valuable to see that regardless who or where we are, we all mustiness cope with lifes issues and that most of the time these issues are forced upon us by those people closest to us. Connie and Jig are go away through different situations, yet come to the same demonstration that escape is their most desired outcome. In the meanti! me they both(prenominal) assure for ways to just simply ease the pain. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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