A Worn Path is a touching story of will power

The relevant news report of love and perseverance transcends a deeper message relating to the welf ar of Negro (after the Civil War). Rather than using unionise criticism, the writer reveals the indifference by employing symbolism in a study of faith.The character name genus genus Phoenix Jackson, echoes not only death and renascence by the first name, but in like manner a historical externalize of popular democracy in 1830sAndrew Jackson. Readers will be confronted with questions Who is this old, nearly dim Negro? Will the writer reveal a great foregone? Will she die in the end in a distressing manner?Why is she engaging herself in a tedious voyage? As the written report goes, and as the answers are revealed, rationalizations that may persuade readers that racial discrimination is bad, seem to be sugar-coated. The plot mainly illustrates a nannas love towards her grandson, which is a universal feeling, whatever race you belong. This ceremonial occasion is par exclusivel yel to what critics say of Weltys style.John R. Cooley says that it fails to develop her racial portraits with sufficient sensitivity or depth, (EuWN 11-13) and Nancy K. saveterworth adds that such polemical demythologizings conflict with Weltys persistent refusal to use assembly as a plat prepare, particularly for political or sociological issues, as well as her downplaying and even disavowal of racial implications in her stories. Nevertheless, the story may at least give the impression that Negroes are gentlemans gentleman beings with the same aspiration of a better society for the future generation.The story exemplified the unaddressed needs of Negroes after the Civil War. Old Phoenix who lives in Old Natchez Trace of Mississippi, where neglect, not to mention discrimination is still lingering even after slavery was put to an end. Southern ovalbumins during that time scoop up Black Codes, which regulate the rights of the newly-freedmen. The code situates Blacks with a subord inate position in the society.The character Phoenix, though seemingly harmless because of old age, is not spared form these treatment of neglect and inferiority. Christian symbolism is also apparent in the narrative. For example, the fact that the story is set during the Christmas season has led some critics to run Phoenixs journey with that of a religious pilgrimage. (Gale Research,1998).The untied shoelace at the beginning, which is later(prenominal) tied by a perfumed lady carrying gift boxes, symbolizes how unretentive the well-to-do help the Negroes, but how that brusque help soothes the situation.This further prove that Negroes recognize that what is given and what they will continually ask for is a deserved one, Thank you missy, I doesnt mind asking (Welty 147). The author also illustrates how discrimination is not totally intentional, but that it is deeply rooted in the culture.The woods represent the conduct Negroes are facing. The author inspires the readers through Phoenix, that though she seems inapt, she pursues her goal. She relies on her knowledge about the terrain. This provides the irony that the former slaves, who knew better than their white masters about the work and the place, do not get their proper(ip) due. Phoenix, even if almost blind, know the place so well, she could own it.As she walks slowly, she warns the animals, moderate out from under these feet I got a long way (142). The marble cake in a plate represents how the offer of Southern integration is merely a piece of cake, when she replies, that would be acceptable. But then it appears be a rhetorical offer, when she went to take it there was just her own hand in the air (143). Indeed, the struggle to achieve pitying rights took a long while discrimination persists even after the millennium.The reckon with the white hunter shows an unfruitful play with the young man, I know you old colored people Wouldnt miss going to township to see Santa Claus (144). It also shows h ow Phoenix used the hunters vainglory Watch me get rid of that cur (146), to get what she wantsthe nickel. This is a commission of how Whites try to frighten the Blacks away from their struggles, and then he laughed and lifted his gun and pointed it at Phoenix. (146)When Phoenix finally arrived at he doctors place, she stood watching the document that had been stamped with the bullion seal and framed in the gold frame, which matched the dream that was hung up in her head(147). Later she directly clears the Negroes arithmetic mean to avail other rights as good education, I never did go to school, I was too old at the Surrender. (148.)Then, Welty reminds the reader that no government issue how the trip took so long, the Negroes must not forget the reason of their struggle. Phoenix grandson will hold his mouth open like a little bird,(148) meaning that she will teach him to be a strong Phoenix.He will benefit from all the hardships, I remember so speak out now. I not going to fo rget him again, no, the whole enduring time. I could tell him from all the others in creation (148). She then sets off to obtain him a paper wind generator, He going to find it hard to mean there is such a thing in the world (149). The windmill seems to be a symbolism of the travel Don Quixote.Most Weltys stories are placed in small communities of her native state, Mississippi, and carry the intimacy and transport of narrow-range observation.Marian Hauser further observes that many of her stories are dark, weird and often unspeakably sorry in mood, yet there is no trace of personal foiling in them, neither harshness nor sentimental resignation but an alert, eonian awareness of life as a whole, and that profound, intuitive understanding of life which enables the artist to accept it(6).. In portraying the old Negro charwoman who travels miles to bring a Christmas toy to her sick grandchild, Eudora Welty writes with warmth that holds no searing quality. (Feld 11-12). Of all her stories, A Worn Path comes closest to holding warmth and kindness. It is considered to be one of Weltys most frequently studied works of short fiction.WORK CITEDGale Research. A Worn Path by Welty, Eudora. 835 Penobscot Building Detroit. 1998. .Lewis, Thomas. Textual Variants in A Worn Path. Eudora Welty Newsletter (EuNW). Vol. 16 Winter 199211-13.Marianne Hauser. A Curtain of green and Other New Works of Fiction. New York Times Book Review, November 16, 1941, p.6. Welty, Eudora. The stack away Stories of Eudora Welty. New York Harcourt, 1980.Rose Feld. New York Herald Tribune Books, November 16, 1941, pp.10, 12.