Gender Roles and Ideas :: Arab Women Culture Literature Essays

Gender Roles and IdeasThe Male Character in Arab Wo custodys Novels lots in literature authors, particularly work force, be criticized for falsely or inaccurately portraying or writing women. This debate has been historically confined to virile authors, scarce is on occasion reversed and fe staminate authors are criticized for inaccurately writing men. Although it may sound like a fair look ator at least the beginnings of one in the world of criticsthese situations are limited to primarily European and predominately North Ameri send packing literature. Examining the portrayal of men and the male sex as a whole, by women, is an important if non essential undertaking in this modern world, but where is comes to a prefigure of being absolutely crucial is when it is the women authors of a world where they are moment class citizens only because of their gender. If the writing of men in Arab womens novels can be understood at even the more or less basic level it may allow some insig ht into what these women think and assume consciously and subconsciously, about themselves and their position in society and about the inherent conquering that they deal with and resign themselves tono matter how weak or total the degree of the oppression, ranging from Egypt to Saudi Arabia.The purpose of this discourse is to first, examine and delineate the means in which Arab women novelists portray or write men and second, to discuss the most relevant reasons why the women write them as they do. This will be fulfill by focusing mainly on three novels written by women from Jordan and Palestine with settings form Beirut to London.The first of these three novels is Fadia fakeers, Pillars of Salt. This score is set in Jordan before and during the British occupation and Mandate. The book itself is low into a number of chapters, each shifting between the voices of The Storyteller, Maha, and Um Saad, and Faqirs third-person. For purposes of ease in this discourse these short chap ters will be grouped into eight natural sections, as each five or six chapters between Maha and Um Saad is set off by an interlude from The Storyteller, who himself appears nine times altogether. In this book there is a large spectrum men that Faqir writes, but in terms of relevance to the topic preceding(prenominal) we will focus on the following characters to illustrate how Faqir portrays the male sex The Storyteller, who could be argued as not being a man, but with very little success, as it is undoubtedly Faqirs intention to have the storys told by The Storyteller to be from a male perspective.